Neil Hollander: Motion Pictures or Feature Films

What seems to be the key mark of any feature film or also known as a motion picture, is the shaping and development a envisioned perceptive-scenic – secular – opportunities, and regardless of whether they are already well-known and realized in life, only imaginable but unconfirmed in real life, or in turn, according to current knowledge, completely impossible, unrealizable, although conceivable. American director Neil Hollander describes the process of filmmaking as both art and an industry. Films are cultural artifacts that reflect and affect cultures.

Feature films are intimately bound with emotions, and as Neil Hollander says, they not only move but move us. Almost as soon as the process was invented, film making and showing became a source of major profit. Most of the film industry in the United States is centered on Hollywood. However other parts of the world also have an existing film scene. In fact, as Neil Hollander reveals, the Indian film industry, centered on Bollywood, produces the largest number of films in the world. Recent advances in affordable film making equipment have allowed independent film productions to thrive, especially because the expenses involved in making films are so massive and nearly impossible without sponsorships of movie studios. Just like in any business, profit is the key force of the industry, but due to filmmaking comes with costly and risky nature, many films have large cost overruns.

With feature films, as Neil Hollander explains, there are few important elements that need to be taken into consideration, and credibility is one of the key benchmarks of success even it is an imaginary or fictional world. The starting point of any feature film is the imagined or envisioned artifact, fabrication, design, simulation and origin convincing images of the world. Narrative structure exposures are typical for feature films, as they imply that in this world there is a line of events with additional interest for closely monitoring, and that there is a particular interest among people to occupy themselves with such things.  Given the ever-growing importance of feature films or motion pictures to our culture, and the expanding familiarity with motion pictures, we can only expect even greater things from filmmaking.

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